In 2015 Bill Schelly completed HARVEY KURTZMAN: The Man Who Created MAD And Revolutionized Humor In America a book which he spent four years writing. Harvey Kurtzman may not be a household name, but his creations certainly are, and Schelly outlines their importance as such:
[MAD created] satire of popular culture figures, political figures, products, the consumerism that was rampant after [WWII]. Everybody had to have their new toasters or cars with fins or whatever. Satires of consumerism is one of the major things that MAD did, of course this was picked up by Saturday Night Live and The Simpsons and everything else. Harvey Kurtzman’s influence in humor is incredibly important… Think about it like this, here you are, some kid in a little town in the south. Yet, a magazine that’s really subversive can reach you at your little corner store, and every kid can get this for ten cents. It slipped completely under the radar and was available for purchase to a million people, every issue. It’s quite an interesting way of getting underneath the repressive forces of society.
We recently spoke to Bill Schelly about the journey of chronicling Harvey Kurtzman’s life and massive catalogue of work.
What in your personal life brought to you Harvey Kurtzman prior to writing the biography?
I’m a baby boomer that grew up in 60s, so I’m an old guy that was exposed to MAD coming after Harvey Kurtzman had left. But in the early 60s they were reprinting a lot of his issues in the MAD paperbacks. A lot of those paperbacks were brought home by my brother and then by me, so I was reading comics created by Kurtzman and his collaborators when I was a kid. As I got older, I started reading Little Annie Fanny in Playboy; when you’re going through puberty it’s particularly… interesting. As I got older, and seriously interested in comics, I started reading some of his actual issues of MAD that I got my hands on, and his more serious work in war comics.
As you note in the book, they took Harvey Kurtzman’s name out of the reprints in the paperbacks. Did you seek out his work specifically, or did you notice a theme in what you enjoyed through life and in his work?
I got involved in the early stages of Comics fandom in the 60s and people were researching who did the old comics; many of them weren’t signed. I found out that Kurtzman had done those MAD paperbacks that I so enjoyed. I started connecting the dots between that and Little Annie Fanny and his other works. Suddenly, I realized this guy had done tremendous work that I really loved and was superior to others around him, so I realized this was a pretty remarkable person and started seeking out more of his work.
The Shop follows the day-to-day life of Lewis, its one and only clerk. His daily interactions with the regular and one-time customers often resembles group therapy mixed with a southern revival. Freaks, geeks, enthusiasts and tools, Lewis not only sells music, but often solves the world’s problems….in theory, anyway.