Last month we sent out a plea asking readers to lend a hand so that we could compensate our writers. Thanks to Patreon backers, we are currently raising about $50 a month for our staffers with plenty of bonuses available to backers.
Want an Annual T-shirt? Past issues? exclusive buttons and an exclusive podcast version of the interviews on our site? Then back us today! Right now you can go into The Annual vault and hear David Luna’s interview with Greg Proops for only $2 a month!
At long last The Annual is back from their three week hiatus. We may have missed the chance to cover events where comedy was most needed: The RNC, The DNC, and the release of Suicide Squad but our stone cold pack of weirdos are back for good… But there’s a catch!
Over the past three weeks we have been hard at work developing a new program that we lovingly call “Writer Compensation” and we need your help to make it a reality! Starting today we launch our Annual Patreon. So if you’ve ever found yourself laughing or merely chuckling at the content on our site, we sincerely hope you’ll lend a hand.
We’ve got some great rewards lined up and if you pledge before August 22nd, we’ll throw in a free sticker at any level of support. So head over to Patreon.com/TheAnnual so we finally get our writers something nice.
The Annual wouldn’t exist if it weren’t for crowdfunding, so we aim to boost up other comedic projects whenever possible.
The American Bystander is a new humor magazine that came to publication following a successful Kickstarter campaign last November. They’re just about finished with the second issue and need your help to bring it to print. Last week we spoke to Michael Gerber, a founder and publisher of The American Bystander.
In your publisher’s letter from Issue 1 of The American Bystander you wrote “It isn’t even really a magazine. This is willfully re-launching the Titanic, knowing full well it will sink…” Do you still feel this way going into issue two?
Well, it’s funny because people have asked about that. I was partly trying to play against type because those letters are like the statement of principles in Citizen Kane. A guy sits down and scrawls the way that they’re going to change the world, and I really felt like that was not the right mindset to be going into this with. The first thing that you should know about me is that I’ve been trying to do a magazine like this since I was 22 years old and I’m 46 now. I’ve seen them come and go and I know a lot about how The [National] Lampoon worked.
Maybe five years ago, I heard from a friend of a friend that Rob Hoffman, one of the three people who founded The National Lampoon, was very ill and was probably going to die. So I called him up out of the blue, he didn’t know me from anybody, and I called him up and said “Mr. Hoffman, I just want to thank you because nobody knows that you were the person who put together the money, put together the deal, worked with Matty [Simmons] to get it all set up so Henry [Beard] and Doug [Kenney] could do their work. Nobody knows how important you were” The difference between The Lampoon and every other humor magazine before and since has been someone like Rob Hoffman at the front.
I’m no Rob Hoffman but I guess I wanted to say in that letter that we want this to turn into whatever our readers want it to turn into. If that means that it’s a grand success and has a lot of money to spend and heralds in a new golden age of this material, great! If it turns out to be just one issue or two issues, that’s okay, too. Because we’re really just following what the audience seems to want.
The typical way that people do this is they come up with a business plan and a way of repeating what the Lampoon guys did, which is pump it up into something huge and sell out after five years or whatever, and walk away never having to work again. That’s a very contemporary way of looking at things; “I’m going to start a humor magazine so I can get rich.” That’s not how Punch was started; that’s not how Mad Magazine was started. For anything that lasts over a decade you have to have a different kind of attitude. So I was poking fun at that vain, glorious situation. But I was also trying to check myself to sort of say “the point of this isn’t in five years to have The American Bystander’s version of Animal House. The point is to follow our staffers and say what do you want to do? What’s interesting and challenging? What does the world need? Not what can we sell for a big pay day.” We know what that is and we know it’s what already exists out there. It’s the lowest common-denominator stuff. By saying that, I want to say to us on a managing side and to the contributors: Look, we don’t expect to walk away millionaires from this. We expect to make beautiful stuff and that’s what we expect from you. And that’s what we expect from our readers too. We want them to enjoy it on that level, not be perceived as something we’re selling to advertisers. Their attention and their eyeballs. That’s very different than a corporate magazine or a corporate website, and I want to start out with that idea.
From its inception, The Annual was meant to be a place that could foster new ideas and content from its contributors. Over the past few months Lydia Hadfield has consistently been suppling new material for the site and characters for The Last Hurrah. She went above and beyond this past holiday season when apropos of nothing, she wrote a short christmas play to be read on The Last Hurrah. It was aptly titled “A Christmas Play.”
Over the past two months, we have been working to turn the play into a short film, one which promises to be a 25 minute spectacle turning Christmas into Krimby. We’ll be teaming with Stephen Sues and Annual artist David Luna to animate portions the tales themselves. Familiar faces from The Last Hurrah will join us on screen to bring the story to life but we need your help to make this the best possible Krimby Film ever made!
On Sunday night (in lieu of The Last Hurrah) we began production on Krimby Tales, occupying the Curious Iguana (an independent bookstore in Frederick) to shoot the film’s first scene.
We’re actively working to bring this tale to life but the bulk of the film will eventually be animated and that’s where we need your help! Give the project a look on Kickstarter and please consider making a donation to the cause. There are plenty of Krimby Awards for your perusal.
There are about 5 hours remaining on the Mystery Science Theater 3000 Kickstarter and if you’re one of the few who haven’t taken the time to donate I highly suggest you do.
Before I developed the ability to form concrete memories, my dad and I would watch MST3K, more accurately, my dad would watch it and I would babble on the floor, probably stacking blocks or whatever fad was big at the time. Once middle school rolled around the SciFi Channel (currently known as Syfy for some reason) was airing reruns on Saturday mornings. I immediately recognized Tom Servo and Crow, my underdeveloped baby-mind had managed to store away the robots from the interstitial scenes, though the movies were lost on me. At this point in life I simultaneously hit puberty and graduated from Saturday morning cartoons to Saturday morning movie riffing. Every week I was out of bed and in front of the TV by ten, sometimes getting up early enough catch the tail end of whatever work-out infomercial had bought time on the station. I read about how to build the robot puppets on the mst3k website, I dreamed about writing in to join the MST3K fan club as advertised in a graphic that often popped up in the corner of episodes. I assumed this now led an empty P.O. Box with a new owner because I understood the concept of reruns. This story lacks a real ending, like any cheesy movie, it just drags on until Scifi stops airing the show.
Tonight, the #BringBackMST3K Kickstarter campaign comes to a close and will likely reach their goal to fully fund 12 episodes and a Christmas special. This website wouldn’t exist without kickstarter so as always, I encourage you to go donate and help bring MST3K to a new generation of weird kids. You can donate by clicking here and then at 5pm PST there will be a live Telethon from the Nerdmelt Theatre to wrap up the campaign, so why not make an evening of it?